한국일보 애틀랜타 전자신문

2021년 7월 31일 (토요일) E6 교육 The Cliché Books for the Immature When imagining prominent liter- ary works, the first books that come to mind are not fantastical ones. One typically envisions sophisticated dra- matic works as well as classical litera- ture. Fantasy is known to generally encompass novels written purely for entertainment and is often disregarded as serious work. But the genre’s use of pure fictional elements should not be taken lightly. Fantasy is a relatively new genre with its influence generally starting in the 20th century. The genre has its roots in mythology, fairy tales, and the like. Though elements of this genre have been included in many older works in the forms of dragons, magic, and ghosts, the introduction of complete fantasy novels did not occur until more recently. The manner of the genre’s rise to prominence may have played a part in contributing to why it is not considered to have serious literarymerit. The first well-known novels includ- ed works like Peter Pan, Alice inWon- derland, and Wizard of Oz. These were obviously geared towards children and solidified the image that fantasywas for children. But the genre’s potential was re- vealed with the publishing of J.R.R. Tolkien’s The Hobbit and Lord of the Rings. The concept of worldbuilding and implementation of dramatic ele- ments of other genres was introduced. But Tolkien’s work would remain for decades as the only such revolutionary work. Instead of trying to create dif- ferent works of the same caliber, others attempted to replicate Tolkien’s suc- cess with the same concepts. The topic soon became stale and few notable works emerged. The genre would continue to fol- low this trend. Geor ge R.R. Martin’s Game of Thrones at the turn of the century would prove to have a similar ef- fect. The 21st century would introduce a plethora of new fantasy works but geared with many more of the adult themes that Martin intro- duced to fiction. This was the birth of the Young Adult Genre. Fantasy worlds with romance, drama, and mythical creatures became commonplace. But once again, these topics became stale and overused. I would argue that a good fantasy novel is far more difficult to write than one of any other genre. It demands so much more than what many are will- ing to work for. It requires worldbuild- ing without being overwhelming and boring. It requires drama that hasn’t already been used toomuch. It requires twists, turns, magic, brilliance, excite- ment, romance, and adventure. The skill to transform something already so familiar into a new and exciting read is what distinguishes good fantasy writers frommere copycats. To prove that it is possible, I’ve embarked on a sort of an adventure myself. I’m creating what I envision fantasy to be. Something with all the elements that makes fantasy fan- tasy while excluding all the elements that make stories cliche. It’s a work in progress, but I hope to shed light on the potential of the genre. RayKim,StudentIntern (ChattahoocheeHighSchool) ౌ###⥑ 3UTJG_ 0[R_ ' ⱅ࿼#൙ ẘ១ᫀᳵ ᧻ᶦ⎩⃒ ᜩ⓽ ᘻᏧ ₈᳨ᕱ ᳨┰᳛ ₊≂┩ ᜩῺὠ᳛Ꮷ ⚆ᓛ† ᓛᤩ⚇ ὠ᳛ ⃃ ┧ᘪ᥆ •᢮┧ᓪ ὠ┧ᜀ ┨ᱭῠẢῡᐓῲ᜗ ᐳ῕┩ẚẘἵᏳ᤺┩ᶦ⏀᧤᥆Ἁᳪῲ᧜Ṟ ᜗᨟⃚ὠ᳛ᜀ᜚ἔ឴᭪῵ᴤῼ᜗ ᓛᤧᘪ ᓟṜᓦᏧ Ꮷ​ ⎇ Ᏻ₅ῲ Ṱᜍ᢭᨟% ἉᳪῲἉ ᶱῲẢ᜗᨟ẘᡵᐚ┰ẉ┪ᓲ% ┕᧤∓ ᴤᱣ ᰤ⊿ᜀ ᪢ ᶳ᤺ῲ Ảᜀ ┨ ᱭ៥ឱ ẝ᧬៣⃚ ᐬ―᤺ ῼᜀ ᜩῺ ὠ᳛᧜ ᧮ ៥ẘᘾᴤῼ᜗ ┩ Ꮷ⃚ •ᤣῠ⚆⒑⑈⒔᧤Ἠ⚇᥆ ᶮᮀ┧ᜀ ᐓ ῲ᜗ Ṱ⑈ ᓛᤙ┠៬ ῴ ┢᧝ ᱗⃜ ᢁᜀ᪢ἡ∂  ៪ῡ•ᐾ┪ᐮ●ῲ᢭᨟⒑⑈⒔᧤Ἠ᧜₊≂ ┰ẉ┪ᐓῲ᜗ ∶ᱣ῭⒑⑈⒔᧤Ἠ᧜᧮១ᜀឡ ᶵ╏ῡᓦὗῲៃ Ὄᒼₚᐍ᭪᜗⃚ᘪ⋁⒑⑈⒔ ᧤Ἠᜀ₥⃚Ṵ᜗ ἡ᧜៥ẘᜩ┨ῲὌᒼ┩ ┈ᏹᴤᜀ Ꮷ⃚ ῴឡ Ꮷ⃚᧜ᘻ⃚ᜀ᧱᢭ᜀᢠῲ᜗ ᜩᶱ ᓛ Ꮷ⃚ᜀ ᘻᏧ ᶱ ῼᜀ ∶ᐳ῭  ┈ῡ ᐷ᢭᳛ ᘽ᜗ ῲ ᡡ ⒑⑈⒔᧤Ἠᜀ⚆ᘪ⚇᧜ ῼᜀ ᓛᜩ᥆ ᭪ἑ⃄ẉ ┩᜗ ᘻᏧ ᓛ᧨ῡ ᓛ᧤ ᓦ ₥Ṱ┧ᜀ ᜩᱣῲ ᱗᪟ὓ┈ῲ᢭᨟ Ὼ┨ ᱗ ₈ᑂ៥ῲ ₥Ṱ┪ ᐓῲ᢭ᜀ ῲ῕᥆ ᖋ ᓛ᧨ῡ ₊≂┧⃚᧱᢭ᜀẔᓦ᜗ ᘻᏧ∂῭‡ῴ•ᐾῡ᳟⎟┧᤹ᜀῲ῕ᜀᘪ ῭ ┈ᑀ ᘻὓἉ ἕ₈ῲ ῼᓦ ᡡ᪢῵ ᐓῲ᜗ ᓛᤧ᪻᥆ᘻᏧ₥Ṱ┧ᜀᐓῲᘲ៥ᑀ᜗᧙᜗ᐳ ┰᳛ ៊᤹὞┧ᐋᘪ ᘪ῭ ἕ₈ῡ ᴁῲᜀ ῵ῠ ┧⃚ Ṵᜀ ⒇ῲ ᘴ᜗ ⒑⑈⒔᧤ἨἉ ᘪ᧮῭ ᱦ ᓶῡ ᜡṰᘻᜀ ᐓῲ Ꮷ​ ᳡២᤺ῲ ῼ᜗ᜀ ₅ ῡᓦẙ┧  ⒑⑈⒔᧤Ἠ᧜₼ᮣ┪ᡡᜀ∶₢ ┈᳟₈ῡ ▻ ┧ᓦ ᭪᜗ᜀ ᫃ΰῲ Ꮷᜀ ᒷ᱗ᘪ ᨖ⏀῭ ឱ὚ῡ᫒ᜀᐓῲ₥᜗ ᨋ†ᘻᏧᏧ​᧬ΰἉ ១ᜀ ┈ ᏹ᧜ ᐳ᧛ ៖ ῲ៥Ἁᐚ ᭪ἑ₺᨝ ῭ᐥῡᒼ┩᜗ ἷ᭠┩ ┈ῠ ᳪᱣἉ Ả᜗ Ꮷᜇ┩ ἷ᭠Ἁ Ꮷᓹ᜗ᐳ ᱭᏨ┧ᜀ ┈៥ῡ ∶₢‡῞᥆ ᐳ ᧙ᜀ ᐓῲ᜗ ᧮Ẋ ᘻᏧ ᐳ៪┨ᒷᘪ ₺ •ᒽ ᜚῍῭ ᜩ◎Ἁ᳛ Ὼᱣ┩ ‡ῲ ῼ᜗᨟ ᜇ᤺Ἁ ᜩ┩ ⃙ᐋ᥆ Ὼᱣ ┈ῡ ᜩ┨Ἁ ₊≂┩᜗ ᓛᤧᘪṰ᪟᧤ᱣῡ᫒ῠ ┈ῲ᢭ឱᘪ᧜₊ ᜩ᥆ ⓽╎┧⃚ ᨮ┷᜗᨟ ᒿῲ ⒑┬ᶯ⎌⃚ Ṵ Ṱឱោ᜗ ᜗ΰῠᴤᱣᐬ᤺ῡᘻᳪὔᜀᐓῲ᜗ ⋝ᨋẅἉ᳛ ẘ὞១Ἁ ᜩ┰ ẚᓢ┪ ᴤ ῼᜀ ᐾᏩῠ ៊ ᏹᏧ ῼ᜗ ᒷῖ ᳫᳵἉ ῼᜀ⚆Ṱᙊ ᶦ⚇ ᳛ᮜᳫᳵ ᢁᜀ ᑀὄ◆ុῡ ‡ᜀ ẁ⑖ᮣ⑖ ᳫᳵῲ᜗ ἡ᧜ ៥ẘ ᘻᏧ ┨ᙢ ᡡ •ᒽ ᶯ ⋺⎳ᶦ ⑈Ἁ᳛ ὔᶮ┷᜗᨟ ᒷῖ ᳫᳵ῭⚆Ṱᙊᶦ⚇ ⋋ Ἁ ᓦ᥇ῡ ‡ᜀ᜗ ᓛᤧᘪ ᧮Ẋ ᘻᏧ ᱜ ᡡ ᮀ⎩ ᨬᜡṰ Ἢ ᜫᶦ ⑚ῲ ῕ᨣ ᜩ◎Ἁ᳛ ῍ ἉἫᢴ᜗᨟ ẁ⑖ᮣ⑖⋋Ἁ‡ẘᙖᜀᐓῲᘪ ῡᐓῲ᜗ ῵ᮀ ⎈᤬ῠ ☇ᴀ᳨ῲ ῼ᜗ᜀ ᨣᨧ῞᥆ ᑀ ឱ┩ Ὼ◎ᮣᘪ ◆ុᮣ᧜ Ὄᒼ┧ᓦឱ ┩᜗ ᓛ ᤧᘪ ᜩ┨៥ῠ ẘᡬ ⎈᤬ῲ ᳟᭢┰᳛ ὔᴤ┩ ┨ᱭ៥ῡ ᰼ᜀ⃚ ẘᡬ ⎈᤬ῠ ᓛᤰ⃚ Ṵῠ⃚ Ἁ ᜩ┰ ṵᐳ ῼ᜗ ᓛᤧ᪻᥆ ┨ᱭ៥ῠ ᱥ ᥆ὖ ⎈᤬ῲᘪ ◆ុἉ ᏧῺ┧ᓦ •Ἁ ᧤᳛⊿ ᧜┰ẉ┩᜗ ឲ⑉┩ ᐬ╀ῡ •᨟Ἁ ᮀᏨᶯ⎌ᜀ ᐓឱ ₥ ᜗ ᜩῺ ὠ᳛Ꮷ ឴᭪῵ ᴤ ῼᜀ Ꮷ​ ᶘὖ ᫚ ᫱ ⃃ ┧ᘪᜀ ★ᫀ᥆ὖ ῵ῡ ┩ ᐓῡ ṵ᧤ᜀ ᐓῲ᜗ ᳪᱣἉᜀᜩ┨┨῍ᏧẢẘឱ┪ᴤῼᜀ῵ ៥ῲ ᙊ᪟ᘪ ᧯᜗ •ᐾᑀ ᖂ ἔᑂៃ⃚ ṴṰឱ ោ᜗ ឲ⑉┩ ạ᪟ ᐬ╀ῡ ᷃῞᨟ ὠ᳛ឱ ᮭᘪᐳ ឳឱ᫪ᜀ⚆῵᳜ῲₚ⚇ ◕ᑀ᧜ẜᜀ᜗ ≀₊῭┸ᱣῴᮀ⎩ᘻᏧ᱗ᜀឱᶯ῭ἒ᱗‡ ῴ ​ᴀ᧜ ឵Ṱ᭪ᜀ ⏑ẘ Ꮷῲ១ ῠ ★ᫀ᥆ ὖᐬ╀ῲៅᴤῼ᜗ ῲᤩ῵ῡ┧᛾᢭ᐳ┨ạἉ᳛៖∤⃚⃚Ṵῡ ᓲ Ἐ᤹ោ᜗᨟ ἑ᧝᫚┨ῲᘪ ₺᧱ῡ ῲὓ┰᳛ ┪ᴤῼ᜗ ᢁ┩⃛ạᑀᑂ᤻ោ ᐣ⃙ῡᡞ᜗᨟ẁ⑖ᮣ ⑖ ᳫᳵἉ ‡ᜀ ᜗᧛ ᴤᱣ ᐬ᤺ᑀ ᧬↛Ꮷ⃚᥆ ὠ᳛ᘻἉẚᓢ┰ឱ₥᜗ ᑂᶵῡ ៊ᜀ •ᐾ ᮂẉἵ ἔᑂ᳨ ῼᜀ ῵ῡ ┩ᐓឱὠ᳛᧜឴᭪ῲᐚ┧ᜀ᫚⒇ῲ᜗ ἡ᧜ ៥ẘ •ᐾἉ ∪₅ῡ ᧸≇ ἑ᧝ ⋕┙Ἁ ᳛ ┨ᱭ⃚ឱ ⋉ὖᶩᤧ᥆ ῵ῡ ┷᜗᨟ Ὼ┨ ᱗ ₈ᑂ៥῭ ₺ᨧῡ ᫒ῡ ᐓῲ᜗ ⋕┙῭ ⋉ὖᶩ ᤧᏧ ៃᓦ ῍┰᳛ᜀ ᭪⏇ ᳪ ῲᱣῲẘẉ ┧ ⃚᧮ ᧯ῠ⋕┙៥ῠᐳ៪┨ᱭ៥Ἁᐚ₺ᜍẘ⋉ ὖᶩᤧ ᧤᧜₊ᐾ┧ᐳῼ᜗ ἑ᧝ ⋕┙ ὄἉឱ ἑᤧ ᜩឱᶯ៥ῠ ᐋ₺᫂ ┨ᱭ៥Ἁᐚ⑞⑈⎔Ό ᓦ◎᧜₺ᐳῼ᜗ ᥆⋡ ᫋ ῕ᨣ ᓦạ៥ᑀ ⑞⑈ᙊᶶῡ ᨄᐳ ᐳ៪┨ᱭ៥ῲ ἑ᧝ ᫚┨ᓦᏩ ῴ⎫ᶶἉ ↞ἑ ┪ ᴤ ῼឱ᥇ ᫜᤹┧᨝ ┨ᱭ៥ῠ ᶱ῭ ᑂ ᶵ ᮂẉἵ ᫄₆┧ᐚ ἔᐧោ ῵ῡ ₢₢ ᧮ᘯ ᴤ ῼ᜗ ἡ᧜ ៥ẘ ᘻᏧ ἒ᱗┨ῡ •ᐾ┪ ᐮ●ῲ᢭ ᨟ ἒ᱗῭ ᭪ₜἉ ⃃₅ῡ ៌ ᮣἝ᧤ ᜚∜Ἁ᳛ ῵┪ ᓦ◎᧜ ∃Ṱ᭭᜗ ῲᤩ ᐬ╀ῡ ┧᨟ ᜩ┨ ≘ἉᘻᏧᐾᮀὄἉឱᫀᤙ῭•ᐾᮂẉἉᜩ ┰ ⃚⃜┩ ᑂᶵῡ Ꮷ⃚ᐳ ◆ុ┰Ἴ᜗ᜀ ᱗ᶳ ῡ᭪ἑ₽ᴤῼ᜗ ᐋ₺⃚ἵ Ꮷᓲὖ ⃚ἒἉ ẘᡬ ┙᥆ᓛᤝ៥ ῲ ῼᜀ⃚ ᨦ᧙ᐠ᜗᨟ ᒼᓟ ᐑᱦ∂Ἁ Ꮹ᜚☍ ⚆┧ῲ ᶦ⌎ ῴ⎫ᶶ⚇ῲ᢭ᜀ ⎌὞១᥆ ᐑᱦ┧᨟ ោ᜗ ᢁ ᐳ៪┨ᒷ῭ ᜡᜥ ⋉ὖᶩᤧἉᐚ ᪤ẘ᭪ ᐋᘪ ᮀᨦ ⃚ῴ ⋁∔ ៪Ἁᐚ ῴ⎫ᶶ ᓦ◎Ἁ ᜩ┰ ᪢῭┩᜗ ₺῍῭ ᙗ⑈὞⎅᧜ ◆ὓ┧ᜀ ᐓῲ᜗ ᧬⃚᧭῞᥆ ┨ᒷ ᫏Ἁ᳛ ᘻᏧ ἕᶵ☍ ┰Ἢ ◆ុῲῼ᜗᨟ὠ᳛Ἁẚᓢ┩᜗ ẘ᧧ᡡᮀ⎩Ἠᤙ┰Ἴ᜗᨟ᜳ⎇῭ᫀᏧῼ ᜗ ῲᓟ ᶦ⋉ὔ⑈ᜀ ᪤᥈ῲᐳ ᙢᏩ ᜫᶦἉ ᧻⃜┩ᐓឱ₥᜗ ◽┧⃚ Ṵῠ⚆•ᒽ ᐳᒷᱭ ᥆ឡἨ ⎈᤬⚇ῲ ᘪ⚆ᫀᒽ∛ᴀᙢ᳛⋝ᶦ⚇᧜┰Ἴ᜗᨟ẁ⑖ᮣ⑖ ᳫᳵ ₊῵ ῍Ἁ ᷍ឱ ₥ῡ ᧮⎉ ᧻᤺‡῵ ᴤ ῼ᜗ ]]]ZNKGJSOYYOUTSGYZKXYIUS ὠ᳛឴᭪ῲᐚ┧ᜀ⚆ឲ⑉┩ᐬ╀⚇ ᘪἉᐚἉᙊ⃚᧜₺ᜀ᧱៥ ∅ῲᘪ ᓦ᱗᧜ ῶῡᡡ †᧜ Ꮷ​ ᓦ᱊ᐚ ┧ᜀ ῵⃃῭ ┧ᘪᜀ ᧬ΰἉ ἵᜨᜀ⓽╎ῡ₆┪ᡡῺᜍ᜗ ẘᡬ ẚẘ‡ ⓽╎ῠ ΰṱ∓ᤫ Ἠ ᤙἨᤙ †῭ Ꮷᶫῡ ‡ᶯᐚ ┧ᐋᘪ ☑៥ᐋᘪ ឱ•‡ῴ ᐬ╀ῡ ┪ᡡ᧬᜗ ᜗ᶯ ᕪᘻ᳛ ῶẘ᭪᨟ ₊ ᧴Ἁ ῍᥆ Ꮷះᜍ᜗ †ᜀ ₊ᏧᶫἉ ᪪⎈┩ ᪢​ῡ ៃᱥᓦ᨝ ឲ᳛῭ ⃕ᐋ὚ᑀ ᭪ᢱ ῡ ᜗ᶯ ᫓ᐥ┪ᡡᏧ Ꮷ​ ┸᭫┭ ᜍ᜗ ἪᏧₛῲ ⃕ᓦឱ᥇ Ꮾᨣ‡ῴ ῴ ὓᒼ᧜ ᐾ῕┧ᐳ Ἕẘἵ ┩ᒽẘ ᥆᭰᷍ᜍ᜗ ᙢ ᤧᶯṰἉ ἑ┸Ᏺῡᡡ 9Z 6KZKXYH[XM Ἁ᳛ ᭭ 'RK^GTJKX 6[YNQOT ῭ ុᱣ SUT[SKTZ ῡ ᒼ ᐬ┧᨟᳛ ៃᱥᓨ ᓛ῭ Ἕẘ᥆ ᫬ἒ ោᶯ ⚈9NU[RJ ZNOY ROLK YUSKZOSKY JK IKO\K _U[ JUT⚇ Z HK YGJ UX SGJ GZ OZ 5T G MRUUS_ JG_ Y[HSOZ ZX[YZ ,GOX JG_ ]ORR IUSK .KGXZ RO\KY OT ZNK L[Z[XK 9U ]NGZ OL MRUUS VKX \GJKY ZNK VXKYKTZ% 'RR OY LRKKZOTM 'RR ]ORR MU =NGZ OY MUTK ]ORR ZNKT HK VXKYKTZ ⚈ᱞῲ ᓛᜩ᧜ ᴁ῵⃚᢭ឱ ᶩ⑵┧ ᐋᘪ ◃ᘻ⃚ ᧬ᳪὌ ẘ៊ὖ ᘯἉឱ ᫃῞ᳪὌ ᫔ῠ ᘯῲ ἱᜍ᜗ ὔ᧤῭ ᧬ΰῠᫀᤙἉᱠᜍ᜗ ⃚ᓡ╎₊ẘ ៊὚ῲ ᖍ↙ῼẘឱ ᨦ៣ ῵ῠ ⃚ᘪ Ꮿᜍ᜗⚉ ᙢ (UYZUT Ἁ᳛ ┧ᫍ១ᜩ ┨ ᒷῖᜩ┨ὠ ₺∶᥆ ἕ᥀᜶ ᫀ ᒽ ∪♼⃃♼ᐳ ᒷ​ ᳤ᨉ ῴᶦ⑖⑃ ⑈ ↞᳜⃃ ᨤᨤ ᒷ​៥ᑀ )UTIUXJ 3GYYGIN[YKZZY Ἁ ῼᜀ .KTX_ *G\OJ :NUXKG[ ῭ ῕ᨣ┩ =GRJKT 6UTJ ᧜ ᫚᪢┩‡ῲῼᶬᜍ᜗ ⚈(_ JUOTM ]NGZ _U[ RU\K _U[ OTYVOXK G]GQK ZNK NKGXZY UL UZNKXY⚉ ⚈ᜥᶱῲ₥Ṱ┧ᜀ῵ῡ┧᨟⎔ῴ ῡ Ꮾុᶯ⎌ᐳ ᓛ៥῭ Ꮷᶫῡ ᮄᤧ ῵῞⎎᜗⚉᢭ᐳ .KTX_ *G\OJ :NUXKG[ ᜀ᧱┷ᶬᜍ᜗ ᙢ ;1 /XKRGTJ 9IUZRGTJ ἑ┸⃃ ▹ᴤ⃚ἒ 2GQK *OYZXOIZ ῴ -XGYSKXK <ORRGMK )[SHXOG +TMRGTJ ᧜ ᫚᪢┩‡ῲ ῼᶬᜍ᜗ ᓛᐽἉ᳛ Ἕᒽᶯῴ =ORROGS =UXJY]UXZN ῭ ῕ ᨣ┩ ᶯ⚈/ =GTJKXKJ 2UTKR_ GY G )RU[J⚉ :NGZ LRUGZY UT NOMN U⚇ KX \GRKY GTJ NORRY =NKT GRR GZ UTIK / YG] G IXU]J ' NUYZ UL MURJKT JGLLUJORY! ♾⚉ ⚈ᘪᜀ ᒼ᧝∓ᤫ ὄ᥋ᐚ ᐏẤ᜗ ᓡ ᮭᘪᜀᴤ᳟◃Ꮷ┡ẚ᜴Ἁ♾⚈ ᧜᜗ ᶯៃᱥᓪᴤῼẤᶬᜍ᜗ ⚈:NK SKGTOTM UL ROLK OY ZU LOTJ _U[X MOLZ! ZNK V[XVUYK UL ROLK OY ZU MO\K OZ G]G_⚉ 6GHRU 6OIGYYU ⚈ὔ᧤ ῴᱭ῭ ῭ᫀᜀ ὔ᧤῭ ‍ ₺᧜ ᫓ᐥ┧ᜀ ᐓῲᐳ ῴᱭ῭ ᨧ ‡ῠ ὔ᧤῭ ‍₺᧜ ᘲἉᐚ ₺ᜀ ᐓῲ᜗⚉ 9ZUV LUI[YOTM UT NU] _U[ GXK YZXKYYKJ 8KSKSHKX NU] _U[ GXK HRKYYKJ ᶦ⑈ᤱᶦ ᫒ᜀᐓἉ ⃡⃃┧⃚ ᧱ᐳ ᜥᶱῲ ẝ᧬ᘪ ≀᭫᫒ῠᏧ᧜ ᓦẙ┧ ᳪὌ ?U[ GXK ZNK GXZOYZ UL _U[X ROLK *UT⚇ Z MO\K ZNK VGOTZ HX[YN ZU GT_UTK KRYK ᜥᶱῲ ᜥᶱῴᱭ῭ ◃ᏧῺᜍ᜗ ᜥ ᶱ῭⑾ῴ⑈ᮜᤧᶯ᧜ᘲἉᐚ₺⃚᧬ ᳪὌ ' YGZOYLOKJ ROLK OY HKZZKX ZNGT G Y[IIKYYL[R ROLK (KIG[YK U[X Y[IIKYY OY SKGY[XKJ H_ UZNKXY H[Z U[X YGZOYLGI ZOUT OY SKGY[XKJ H_ U[X U]T YU[R SOTJ GTJ NKGXZ ᧮ₛᶦᤧὖ ᱞῲ ᳨ᐾ┩ ᱞ᭪᜗ ᘴᶬᜍ᜗ Ἶᙄ┧᨟ ᳨ᐾῠ ⎔ῴῲ ∅₈┰₺ᐳ᧮ₛᏮῠᘻ ᶱ῭᧬ΰ ῲ₈┰₺ᜍᓲὌ ' RKGJKX YNU[RJ IUTYOJKX OZY SKSHKXY GY HRKYYOTMY TUZ GY VXUH RKSY ᧤ᜳᜀ ᶱ῭ ₚ⃛∜῭ ◎ὠ៥ῡ ᪢₊᢭ᐳ ᱭᏨ┧⃚ ᧱ᐳ ≀᭫ῲ᢭ᐳ ᱭᏨ┰ẉោ᜗ )USVGXOTM _U[XYKRL ZU UZNKXY ]ORR GR]G_Y YZKGR _U[X PU_ .UTUX _U[X [TOW[KTKYY GTJ _U[X U]T ROLK VGZN ?U[ GXK NKXK LUX G XKGYUT ᜥᶱῡ ⎔ῴᑀ ᮣᒷ┧ᜀᐓῠ ᓦᱍ ῡ ᰙṻᜀ ᐓῺᜍ᜗ ᜥᶱ᧮῭ ឲ⑉ ┩₅ ῴᱭ ἑ₈ῡ ₜ⃃┧ᳪὌ ῲᳪ ᱣἉ ᜥᶱῲ ₜ‍┧ᜀ ῲ῕Ꮷ ៷᥆ ῼᶬᜍ᜗ :XG\KR OY LGZGR ZU VXKP[JOIK HOMUZX_ GTJ TGXXU] SOTJKJ TKYY GTJ SGT_ UL U[X VKUVRK TKKJ OZ YUXKR_ UT ZNKYK GIIU[TZY (XUGJ ]NURKYUSK INGXOZGHRK \OK]Y UL SKT ]USKT GTJ ZNOTMY IGTTUZ HK GIW[OXKJ H_ \KMKZGZOTM OT UTK ROZZRK IUXTKX UL ZNK KGXZN GRR UTK⚇ Y ROLKZOSK 3GXQ :]GOT ἑ┸ῠ ᳟Ὼᐥ ⒇║┩ ᱭᏨῡ Ꮷ ⃜ ᱗ᢱ៥Ἁᐚ ┢ᴤῺᜍ᜗ ῴᏩᑀ ᱗᪤Ἁ ᜩ┰ ᙐῠ ᐥ┰᧜ Ꮷ⃚᤹᨟ ⒌ᱭ ₚᓛ᧮ ⃚ᒼ ┩ᨦ⏘ῲἉ᳛ ᱜ ᨟ῲᥢᴤẢᶬᜍ᜗ ᒷῖᱣᜡ JXY[`OKUN&MSGORIUS ⎩ⱅ#⠶ ᒷῖ┨ᫎ᱗ ᒷῖ⋟᳡⎫⑈